MS 9591 Papers of Noris Ioannou
Summary
Creator: Noris Ioannou
Title: Papers of Noris Ioannou
Date range: 1975-1996
Reference number: MS 9591
Extent: 5.6 m (37 boxes + one folio)
Administrative Information
Access
Available for Reference
Provenance
The collection was donated to the Library by Noris Ioannou in 1997 under
the Taxation for the Arts Incentive Scheme.
Scope and Content
The collection comprises correspondence, manuscript and typescript
drafts, notebooks, journal articles, catalogues, leaflets, newscuttings,
research files, subject files, business receipts, financial ledgers, plans,
sketches, galley proofs, photographs and sound recordings. The bulk of the
records relate to Ioannous career as a cultural historian, critic and
writer. Of special interest are the comprehensive research files, notebooks,
interviews and photographs which Ioannou has collected while undertaking
research for his published works. The papers also include records relating to
Ioannous earlier activities as a garden landscape designer and antique
dealer.
Correspondents include David Bromfield, Grace Cochrane, Glenn Cooke,
Peter Emmett, George Ingram, Susan Isaacs, Geoffrey London, Christopher Pearson
and David Walker.
Organisation
The papers have been arranged into seventeen series. Where possible the
original arrangement of the papers and file titles has been preserved by the
Library.
Biographical Note
Noris Ioannou was born in Cyprus of Greek parents in 1947. In 1950 the
family emigrated to Australia and settled in Adelaide, where they have lived
ever since. Ioannou was educated at Adelaide Boys High School and
graduated from the University of Adelaide with an Honours Degree in Science in
1968. This was followed by a Diploma of Education from Adelaide Teachers
College in 1971.
Ioannou taught science and biology in high schools in South Australia in
1969-70 and 1975-80. He interrupted his teaching to work as a decorative arts
dealer in London (1971-74). In late 1980 he established a decorative arts
gallery and retail shop in Adelaide.
Since 1982 Ioannou has been a researcher and writer in the field of
Australian decorative and applied arts. His first book, Ceramics in South
Australia, 1836-1986: from folk to studio pottery has become an
established text in its field and received an Australian Heritage Award in
1987. His other works include The culture brokers: towards a redefinition
of Australian contemporary craft (1989), Craft in society: an
anthology of perspectives (1992), Australian studio glass: the
movement, its makers and their art (1995), The Barossa folk: Germanic
furniture and craft traditions in Australia (1995), Masters of their
craft: tradition and innovation in the Australian contemporary decorative
arts (1997) and Barossa journeys: into a valley of tradition
(1997).
As well as writing articles for various national and international
journals, Ioannou has been the craft critic and a heritage writer for the
Adelaide Advertiser since 1989. He frequently lectures, gives talks,
and acts as a consultant on Barossa heritage and the Australian decorative
arts. He has also curated a number of craft exhibitions.
Ioannou has received various awards and grants including an Australia
Council Writing Fellowship and a Partnership Fellowship. He has served as a
peer advisor for the Australia Council, as a guest judge for the Civic Trust,
and as a deputy member of the State Heritage Authority (1996). He is a 1996
Churchill Fellow and a past President of the Association of Professional
Historians Inc.
In recent years Ioannou has conducted many groups of American tourists,
as well as other special interest groups, on full-day cultural or study tours
of the Barossa region in South Australia.
Further information on Ioannou and his current projects can be found on
his website at http://members.ozemail.com.au/~zenn.
Publications
Ceramics in South Australia, 1836-1986: from folk to studio
pottery, Adelaide, Wakefield Press, 1986
The culture brokers: towards a redefinition of Australian
contemporary craft, Netley, State Publishing South Australia, 1989
Craft in society: an anthology of perspectives, edited by N
Ioannou, South Fremantle, Fremantle Arts Centre Press, 1992
Australian studio glass: the movement, its makers and their
art, Roseville East, Craftsman House in association with G+B Arts
International, 1995
The Barossa folk: Germanic furniture and craft traditions in
Australia, Sydney, Craftsman House, 1995
Barossa journeys: into a valley of tradition, Adelaide, Paringa
Press, 1997
Masters of their craft: tradition and innovation in the Australian
contemporary decorative arts, Sydney, Craftsman House, G+B Arts
International, 1997
Ioannou has also contributed to the Australian Dictionary of
Biography and written many articles and reviews in various journals and
magazines including The Adelaide Review, Art Monthly,
Australian Antique Collector, Australiana, Ceramics: Art
and Perception, Craft Arts International, Heritage
Australia, Periphery, Pottery in Australia
and Textile Fibre Forum.
Series List
Series Title
1 Correspondence, 1983-96
2 Notebooks, 1985-90
3 Metro antiques, 1976-82
4 Noris Ioannou Gardens, 1978-84
5 Ceramics in South Australia, 1836-1986, 1836-1987
6 The culture brokers, 1981-92
7 Craft in society, 1990-92
8 Australian studio glass, 1994-95
9 The Barossa folk, 1853-1994
10 Journal articles, 1985-96
11 Reviews, 1986-93
12 In the steps of the potter, 1988
13 Conferences, seminars, talks, 1985-95
14 Subject files, 1975-93
15 Photographs, 1890-1937
16 Sound recordings, 1987-90
17 Other papers, 1987-95
Series Description
Series 1. Correspondence, 1983-96
This series consists of correspondence relating mainly to research and
publishing projects being undertaken by Ioannou. It includes material relating
to sponsorship, publishing matters, requests for information and correspondence
relating to a study tour of the United States of America.
Correspondents include David Bromfield, Grace Cochrane, Glenn Cooke,
Peter Emmett, George Ingram, Susan Isaacs, Geoffrey London, Christopher Pearson
and David Walker.
Folder
1 Correspondence, 1983-91, including correspondence relating to the
publication of Ceramics in South Australia, 1836-1986 and also some
preliminary correspondence with possible contributors to Craft in
Society
2 Correspondence, 1984-90, with overseas libraries, museums, publishers
and other institutions. The file also contains correspondence with Susan Isaacs
and others and notes relating to a study tour of the United States of America
during September and October 1987
3 Correspondence with the Adelaide Review (which took over the
Wakefield Press) and others relating to publishing matters, 1986-87
4 Correspondence, 1995-96, with the ABC, the Copyright Law Review
Sun on the stubbleThe Barossa Folk as a research
source for the television production Sun on the stubble
Series 2. Notebooks, 1985-90
This series consists of eleven notebooks covering the period November
1985-May 1990. They contain interviews with craftspeople, notes on exhibitions
and notes taken at meetings, conferences and seminars. Also included are
general notes relating to Ioannous research and writings.
Interviewees include Sue Averay, Mark Pearse, Peter Tysoe, Tom Persson,
Stanislav Melis, Brian Lightfoot, Les Blakebrough, Milton Moon and Jill
Yates.
11 folders
Series 3.Metro antiques, 1976-82
Metro Antiques, a decorative arts gallery and retail shop, was
established by Ioannou in Twin Street Arcade, Adelaide, in late 1980. The
gallery dealt in European and Australian decorative arts from lalique glass to
ceramics and Art Deco and Art Nouveau in all media.
This series consists of correspondence, catalogues, ledger books,
receipts, journal articles and newscuttings relating to the business.
Folder
1 Correspondence with dealers and the general public, 1981-82
2 Folder containing receipts for purchases of stock, 1978-81
3-5 Three ledger books containing details of purchases, lists of stock
and cash flow, 1981-82
6 Miscellaneous catalogues, journal articles and newscuttings on
collectables and the decorative arts, 1981-82
7 Various catalogues for auction room sales, 1981-82
8 Catalogue of an exhibition and sale by Metro Antiques, March 1982
9 Exhibition catalogue: Paraphernalia, for an exhibition of
decorative and applied arts in the Art Nouveau and Art Deco Styles at 109
Collins Street, Melbourne, 1976
Series 4.Noris Ioannou Gardens, 1978-84
This series consists of landscape design plans, sketches, notes, quotes,
receipts and general business correspondence relating to a landscape garden
business conducted by Ioannou in 1980-82.
Folder
1-38 Folders containing landscape design plans, lists of plants, draft
sketches and final plans, notes, quotes, receipts, 1978-82
39 Loose landscape design plans many are undated and no client
details are available, 1978-84
40-42 General files containing receipts and some business
correspondence, 1980-82
43 Desk diary, 1980, only partially used, containing names of clients,
notes on their requests and miscellaneous notes
44 Folder containing colour photographs of landscaped gardens (n.d.)
Series 5. Ceramics in South Australia, 1836-1986 from folk
to studio pottery,
1836-1987
Ceramics in South Australia, 1836-1986: from folk to studio pottery was
published by the Wakefield Press in 1986 as part of South Australias
sesquicentennial celebrations. It provides a detailed history of the
developments in ceramics in South Australia from its early settlement in 1836
through until 1986. The book received an Australian Heritage Award in 1987.
This series consists of correspondence, drafts, field notebooks, flyers,
newscuttings, general notes, research files and index cards.
Folder
1 Correspondence, 1984-86, with Wakefield Press, Hallett Brick
Industries Ltd and other organisations relating to the publication
2 Correspondence seeking sponsorship, 1984-87
3 Correspondence seeking permission to reproduce photographic material,
1984-85
4 Correspondence between Ioannou and government agencies, universities,
bookshops and newspapers promoting the publication, 1986-89
5 Congratulatory letters, 1986
6-32 Drafts of chapters with revisions
33-38 Drafts of abstract, bibliography, chapter titles, maps and
references
39-62 Research files for chapters, 1836-1986
63-80 Miscellaneous research files, 1849-1987
81-93 Twelve exercise books labelled A-L used as field notebooks,
February 1983 May 1986. They contain interviews and notes
94-96 Three sets of card indexes containing cross references to the
notebooks, a name index and an index of pots and other ceramic pieces with
information for captions
Series 6. The culture brokers: toward a redefinition of
Australian contemporary craft, 1981-92
The culture brokers: towards a redefinition of Australian
contemporary craft was published by State Publishing South Australia in
1989. It looks at the diversity and complexity of contemporary craft in
Australia. While many of the artists interviewed for the book were located in
South Australia, the national scene is also reviewed.
This series consists of correspondence with contributors, publishers and
other organisations, drafts, newscuttings, notes, typescript interviews,
catalogues, galley proofs and a copy of the publication.
Folder
1 Correspondence with the Australia Council and the Crafts Council of
South Australia relating to assistance and other aspects of the publication,
1987-89
2 Correspondence with the publisher and other organisations relating to
the promotion of The culture brokers, 1990-92
3-4 Early typescript chapters with handwritten corrections and
revisions. Some pages are loose and unidentified
5 Typescript drafts of chapters 1-4 with corrections and revisions
6 Typescript draft with correction and revisions
7 Final draft prior to editing by J. Allison, 1989
8 Galley proofs
9-17 Typescript record of interviews with corrections, revisions and
notes, 1988
18 Curriculum vitae, exhibition catalogues, newscuttings and notes
relating to the contributors to the publication, 1981-88
19 Copy of The culture brokers
Series 7. Craft in society: an anthology of perspectives,
1990-92
Craft in society: an anthology of perspectives was published
by the Fremantle Arts Centre Press in 1992. This collection of fifteen essays
edited by Ioannou looks at contemporary craft practice in Australia and its
theoretical constructs.
The series consists of correspondence, drafts, notes and galley proofs
relating to the publication. There is an individual file (folders 2-13) for
each contributing author.
Folder
1 Lists of possible contributors and correspondence with some of them,
1990, along with an outline of the project
2-13 Contributor files containing correspondence, 1990-92, drafts of
chapters, notes and a curriculum vitae for each contributor
14 Typescript drafts with revisions of the introduction
15 Drafts of chapter 12 written by Ioannou
16-19 Drafts of chapters with corrections and revisions
20 Galley proofs
Series 8. Australian studio glass: the movement, its makers
and their art, 1994-95
Australian studio glass: the movement, its makers and their art
was published by Craftsman House in 1995. The book explores the development of
the studio glass movement in Australia from the mid 1970s through to the 1990s
and looks at the way practioners express themselves creatively through various
glass forms. Over 100 glass artists were interviewed for the project.
This series consists of correspondence with contributors, notes of
interviews with glass artists and papers relating to the launch of the
publication at the AusGlass conference in 1995.
Folder
1 Correspondence with contributors and AusGlass, 1994. The book was
launched at the AusGlass conference held in Adelaide in January 1995
2 Manuscript notes of interviews with glass artists, 1994
Series 9. The Barossa folk: Germanic furniture and craft
traditions in Australia, 1853-1994
The Barossa folk: Germanic furniture and craft traditions in
Australia was published by Craftsman House in 1995. It describes the
arrival of migrant European craftsman and women in the early nineteenth century
to the Barossa Valley and other regions of Australia and explores their
influence on the Barossa cultural landscape through the practice of traditional
crafts and folk art. While the majority of the text relates to furniture making
and its traditions there are also chapters on ceramics, ironwork, foil art,
pokerwork and textiles.
This series consists of correspondence, drafts, field note books, index
cards, research files, artwork and galley proofs.
Folder
1-15 Drafts and revisions of chapters
16-19 Drafts of appendices, captions and contents pages
20 Typescript draft
21 Galley proofs at 85%
22-23 Galley proofs 2 sets of incomplete colour proofs
24 Artwork for various options for the cover design and galley proofs
for appendices
25-40 Research files alphabetical by family, 1854-1993
41-43 Three research folders containing information on cabinet makers in
the Barossa, 1846-1994
44-54 Other research files, 1849-1993
55-56 Two sets of index cards containing names of Barossa artisans and
general biographical references
Series 10. Journal articles, 1985-96
Ioannou has written widely in a variety of art and craft magazines both
in Australia and overseas. This series consists of drafts of articles,
correspondence with the editors of the various magazines, newscuttings and
notes. Ioannou has kept his correspondence with editors, drafts of articles and
general notes in folders arranged by journal and magazine title. This
arrangement has been maintained by the Library.
The series also includes an entry for the Australian Dictionary of
Biography, an essay for an exhibition catalogue and issues of
Broadsheet containing articles by Ioannou.
Folder
1 Art and Australia, 1989
2-3 Artlink, 1989-92
4 Art Monthly, 1990-96
5 Australian Antique Collector, 1987
6 Australian Business Magazine, Australian Country Style and
Wine
Life, 1987-91
7-8 Australian Journal of Historical Archaeology, 1986-87
9 Australiana, 1986-91
10 Binocular, 1993
11 Broadsheet, 1991-92
12 Ceramics: Art and Perception, 1990-93
13 Craft Arts International, 1986-91
14 Craft Australia, 1986-88
15 Craft Realities, 1989-91
16 Craftwest, 1991-92
17 Heritage Australia, 1985-89
18 Oz Arts, 1992-94
19 Periphery, 1992-94
20 Pottery in Australia, 1987-89
21 Textile Fibre Forum, 1989-90
22 Entry for the Australian Dictionary of Biography on the
potter Gladys Reynell, 1985-87
23 Essay for the National Art Glass Collection exhibition catalogue
edited by Judy Le Lievre of the Wagga Wagga City Art Gallery, 1980-96. The
collection belonging to the Wagga Wagga Art Gallery toured major Australian
galleries in 1996
24 Four issues of Broadsheet (1986-92) containing various
articles by Ioannou
Series 11. Reviews
Ioannou has been a reviewer of arts and crafts for the Adelaide
Advertiser since 1989 and a guest critic/reviewer for many other major
exhibitions held in Adelaide and elsewhere in Australia.
This series consists of correspondence with exhibition organisers,
drafts of reviews, catalogues, programmes, newscuttings, notes, and papers
concerning travel arrangements.
Folder 12 contains newscuttings of reviews appearing in the Adelaide
Advertiser.
Folder
1 Skangaroovian Funk: Peculiar Adelaide Ceramics 1968-1978:
an exhibition held at the Art Gallery of South Australia, 1986
2 Thinking in Clay: an exhibition held at the Contemporary
Art Centre of South Australia, 9 November-3 December 1986
3 Seat yourself: a mixed media exhibition of furniture,
glass and painting, Jam Factory Gallery, Adelaide, June-July 1989
4 Makers Choice Exhibition, Adelaide Festival
Artspace, November 1989
5 First Perth International Arts Triennial, Art Gallery of Western
Australia, 14 October-3 December 1989. A box of slides taken at the exhibition
can be found in Series 16
6 Review of Links: 1989 jewellery and metalsmithing graduates from the
School of Design, Underdale (1990). The file also contains various catalogues
of other jewellery exhibitions
7 Pottery exhibition at the Jam Factory, Adelaide by Jo Crawford and
Robyn Herriman, 1990
8 Tenth National Craft Acquisition Award Exhibition, Darwin, 15 August-2
September 1990
9 First Australian Contemporary Jewellery Biennial, Jam Factory Gallery,
Adelaide, October 1991 and catalogues for two other exhibitions
Gossip (1991) and Shift (1992) which were held in
Adelaide
10 Australian International Crafts Triennial, Perth, Art Gallery of
Western Australia, 12 August-4 October 1992
11 Celebrating the maker: 7th National Ceramic Conference,
Adelaide, 11-17 July 1993
12 Newscuttings of reviews by Ioannou from the Arts pages of the
Adelaide Advertiser, 1989-91
Series 12. In the footsteps of the potter, 1988
In 1991 Ioannou received his PhD in material culture and history from
the Flinders University for his work entitled In the footsteps of the
potter: a comparative study of the pottery traditions and folklife of the
Barossa Lutherans in the context of ceramic developments in British South
Australia, 1838-1918. This series consists of various drafts of his
thesis.
Folder
1 Drafts of thesis summary
2-3 Early drafts with corrections and revisions (two copies)
4 Copy corrected by Professor J. V. S. Megaw, Flinders University
5 Final thesis copy: used for bound thesis
6 Master copy amended version
Series 13. Conferences, seminars, talks, 1985-95
Ioannou has presented papers at conferences and seminars ranging from
history to archaeology, cultural heritage and the visual arts. He has also been
invited to give talks to specialist groups on a regular basis.
This series consists of drafts of papers, programmes, notes,
correspondence with conference/seminar organisers and papers concerning travel
arrangements.
Folder
1 Handwritten notes of a seminar talk given to the Potters Society
on 7 November 1985
2 Folk to studio pottery: material culture studies in South
Australia: paper presented at the Art Association of Australia Annual
Conference, Monash University, August 1987. A copy of the paper was also sent
to Art and Australia magazine in September 1987
3 Notes, brochures and leaflets relating to Ceramics
88: the Fifth National Ceramic Conference, held in Sydney, May 1988
4 Program and information on The Crafts: theory and practice in
the late 20th century: International Crafts Conference, Sydney, 8-13 May
1988
5 Notes and correspondence relating to a forum Clay and the
90s held at the School of Design, South Australian College of
Advanced Education, Underdale, November 1989. Ioannou was Chairperson for the
forum
6 Papers prepared for a seminar on Crafts Writing held in
Sydney, May 1989 and organised by the Visual Arts/Craft Board of the Australia
Council
7-8 Interpretive mediums for craft: text and exhibition:
paper presented at Interventions, a Conference on Craft Theory and
Curation, University of Wollongong, 7-10 July, 1992. Folder 8 also contains a
draft of an article entitled Meaning and text: in Craft prepared
for Craft Realities in August 1991
9 Posters and program for EcoCity 2: the Second International Ecological
City Conference, Adelaide, 16-19 April 1992
10 Private visions, new models: an antipodean perspective:
paper presented at the AusGlass Conference, Canberra, January 1993
11 In the footsteps of the Barossa Potter: oral evidence and
archaeology: paper presented to the Australasian Society for Historical
Archaeology Annual Conference, Adelaide, 2-3 October, 1993
12 Inner being: the way of glass: paper presented at
AusGlass 95, held in Adelaide, January 1995. Ioannous book on
Australian studio glass was also launched during the conference
13 Index cards containing handwritten notes for a talk given to the
Historical Society of South Australia on 1 November 1995 and a programme of the
Societys activities for 1995
Series 14. Subject files, 1975-93
This series consists mainly of brochures, catalogues, journal articles,
leaflets and newscuttings on arts and crafts. A high proportion of the material
consists of catalogues and flyers of exhibitions or individual artists
works.
1 Art Gallery of South Australia, 1987-89
2 Arts and Crafts Movement, 1980-88
3 Contemporary ceramics, 1984-89
4 Contemporary furniture, 1989-91
5 Craft critical writing, 1979-90
6 Crafts Council of South Australia, 1992-93
7 Crafts Victoria, 1975
8 Crafts survey, 1983
9 Creativity and design, 1976-92
10 Fibre and textiles, 1988-89
11 Marketing, 1986-88
12 Potters (South Australia), 1988-90
13 Potters Guild of South Australia, 1980-86
14 Social context / materialism, 1987-89
15 Wood, 1989-92
Series 15. Photographs
This series consists of 23 photographs and 3 photographic postcards of
Barossa Valley origin which were collected by Ioannou while researching
Ceramics in South Australia, 1836-1986. They provide an interesting
snapshot of life in the Barossa Valley and include family portraits and
weddings, farm scenes, a school group, potteries and other social and special
events. Ioannou has provided information on most of the photographs. The date,
where this has been supplied, ranges from 1890-1937.
The series also contains a box of 48 slides of exhibits taken at the
First International Craft Triennial, Perth, 1989.
1 box
Series 16. Sound recordings
This series consists of taped interviews conducted by Ioannou while
researching his books and other projects. They include interviews of
inhabitants of the Barossa Valley and interviews with contemporary artists and
craftspeople.
Folder
1-2 Set of 12 cassette recordings of interviews with inhabitants of the
Barossa Valley, 1987-90. Interviewees include Mr and Mrs Arhris, A. Falland,
Rosine Gerhardy, Herbert Hoffman, Meta Kleemann, Laurine Liebrch, E. Menzl, E.
Payne, Pastor Henry Proeve, Paul Pumpa, and Gladys Schulz
3-7 Set of 25 cassette recordings of interviews with various craft
practitioners, 1988. Some of the interviews have been used in writing
The culture brokers. Interviewees include Steve Bate, Tony
Bishop, Anne Brennan, Stephen Bowers, Bronwyn Kemp, Kay Lawrence and John
Odgers
8 Set of 3 cassette tapes recording interviews with the Curator of the Perth
International Craft Triennial, Robert Bell and some of the exhibitors including
Helmut Lueckenhausen, Wendy Ramshaw, Leslie J. Wright and Patti Warrashinna,
1989
Series 17. Other papers, 1987-95
This series consists mainly of miscellaneous papers relating to awards
and grants for which Ioannou has applied.
Folder
1 Correspondence with the Secretariat, entry form and submission and a
book listing entrants for the Bicentennial BHP Awards for the Pursuit of
Excellence, 1987. Ioannou entered his book Ceramics in South
Australia 1836-1986 in the literature and arts category
2 Transcript of an interview with Bluey Roberts discussing Aboriginal
crafts, December 1988
3 Correspondence, notes and other papers relating to a grant from the
Visual Arts/Craft Board of the Australia Council, 1989-91, for assistance in
publishing Craft in society
4-5 In 1993 Ioannou was offered an award as Writer-in-Residence at the
Canberra School of Art. These files contain notes, correspondence, brochures
and a program relating to this position
6 Correspondence, notes and other papers relating to a grant from the
Visual Arts/Craft Board of the Australia Council in 1994-95 for assistance in
publishing Australian studio glass and an application (1995) for
assistance to publish Masters of their craft
Box List
|
Box |
Series |
Folder/Piece |
|
1 |
1 |
1-3 |
|
1 |
2 |
1-11 |
|
2 |
3 |
1-9 |
|
2 |
2 |
8-11 |
|
3 |
4 |
1-22 |
|
4 |
4 |
23-38 |
|
Folio 5
HW Map Drawer 20 |
4 |
39 |
|
6 |
4 |
40-44 |
|
6 |
5 |
1-5 |
|
7 |
5 |
6-19 |
|
8 |
5 |
20-34 |
|
9 |
5 |
35-48 |
|
10 |
5 |
49-55 |
|
11 |
5 |
56-62 |
|
12 |
5 |
63-80 |
|
13 |
5 |
81-93 |
|
14 |
5 |
94-96 |
|
15 |
6 |
1-6 |
|
16 |
6 |
7-12 |
|
17 |
6 |
13-19 |
|
17 |
7 |
1-4 |
|
18 |
7 |
5-17 |
|
19 |
7 |
18-20 |
|
20 |
8 |
1-2 |
|
20 |
9 |
1-8 |
|
21 |
9 |
9-19 |
|
22 |
9 |
20-21 |
|
Folio 23 |
9 |
22-24 |
|
24 |
9 |
25-37 |
|
25 |
9 |
38-49 |
|
26 |
9 |
50-56 |
|
26 |
10 |
1-3 |
|
27 |
10 |
4-14 |
|
28 |
10 |
15-24 |
|
29 |
11 |
1-9 |
|
30 |
11 |
10-12 |
|
30 |
12 |
1-2 |
|
31 |
12 |
3-4 |
|
32 |
12 |
5-6 |
|
33 |
13 |
1-10 |
|
34 |
13 |
11-13 |
|
34 |
14 |
1-6 |
|
35 |
14 |
7-15 |
|
36 |
15 |
Photographs |
|
37 |
16 |
1-8 |
|
38 |
17 |
1-6 |
June 2002 |