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Bohemia
Fix this textRemarkable Privilege Book Offer to Every Reader
Fix this text— (SEE PAGE 9)
Fix this textRegistered at the G.P.0., Melbourne, ft*
Fix this texttransmission through the Post as a PeriodiaaL
Fix this text3 d ;
Fix this textMateship
Fix this textArt
Fix this textLetters
Fix this textTHE ALL-AUSTRALIAN LITERARY MAGAZINE
Fix this textSEVENTH ISSUE.
Fix this textMELBOURNE.
Fix this textOCTOBER, 1939.
Fix this textBohemia
Fix this textIS PUBLISHED MONTHLY.
Fix this textSubscription 3/- per annum,
Fix this textplus 1/- postage.
Fix this textNEWSAGENTS and CLUBS please note:
Fix this textDISTRIBUTING AGENTS: Messrs. George
Fix this textBatchelor Pty. Ltd., McKillop St., Mel-
Fix this textbourne, to whom all applications for par-
Fix this textcels must be addressed.
Fix this textLITERARY CONTRIBUTORS: Please ad-
Fix this textdress your contributions to The Editor,
Fix this text“Bohemia,” Bernard T. Jones & Co. Pty.,
Fix this textLtd., 1-7 Knox Place, Melbourne. Liter-
Fix this textary and Art Fellowships’ reports must be
Fix this textin at least 7 days before date of publica-
Fix this texttion, which will be on the first of each
Fix this textmonth. Other communications should be
Fix this textaddressed to—
Fix this textTHE MANAGER, Osborne House, 399
Fix this textLittle Collins Street, Melbourne.
Fix this textThe Bread and Cheese Club does not
Fix this textidentify itself with the views of any writer
Fix this textexpressed in these pages. As a Literary Club,
Fix this textit has no political opinions nor ecclesiastical
Fix this textleanings.
Fix this textIN THIS ISSUE
Fix this textPOETS’ pie 2
Fix this textMR. GROUCH AGAIN 3
Fix this textPOETRY PRIZES PRESENTED .... 4
Fix this textFURNLEY MAURICE—Verse 4
Fix this textJEAN CAMPBELL on Author Baiting 5
Fix this textNORMA L. DAVlS—Verse 5
Fix this textEDITORIAL; Harry Hooton—Verse .. 6
Fix this textALAN MOYLE—on Bernard Shaw .. 7
Fix this textZ. V. WEBB—Verse 7
Fix this textVICTOR COBB on an Artist’s
Fix this textTroubles 8
Fix this textBERNARD SHAW—Special Book Offer
Fix this text(See Coloured Inset).
Fix this textLETTERS FROM OUR BETTERS .... 13
Fix this textA. W. DAWES—Book Review 14
Fix this textPERSONAL PARAGRAPHS 15
Fix this textMAX HARRIS—RepIy to Critics .. .. 16
Fix this textBook Reviews 17
Fix this textWHAT SOCIETIES ARE DOING .... 19
Fix this textDIRECTORY 20
Fix this text“Mountain Flat” Far From Flat
Fix this textTHE BOOK OF THE MONTH
Fix this textReviewed
Fix this textby VANCE PALMER
Fix this textMountain flat’ is, i think,
Fix this textthe best novel Leonard Mann
Fix this texthas written. There is an unhurried
Fix this textswiftness in the telling of the story,
Fix this texta sense of certainty and assurance on
Fix this textevery page, that gives you complete
Fix this textconfidence in the writer. He knows,
Fix this textyou feel, what he is doing. He has
Fix this textthought about his story long enough,
Fix this textdeeply enough, to give it shape, with
Fix this textone incident following inevitably out
Fix this textof another.
Fix this textThis is not life, as the casual on-
Fix this textlooker sees it; it is something tidier
Fix this textand more comprehensible, in which
Fix this texteverything has significance. A micro-
Fix this textcosm of the real world, prepared for
Fix this textour understanding. In fact, what we
Fix this textcall art.
Fix this textThere is a heavy prejudice, nowa-
Fix this textdays, against giving things shape.
Fix this textWriters are encouraged to slosh things
Fix this textdown, to pour out their casual ideas
Fix this textand impresions as they come, the no-
Fix this texttion being that this gives a feeling of
Fix this textspontaneity to their work. So it does,
Fix this textsometimes. It arrests the attention of
Fix this textthe man who reads as he runs. But,
Fix this textafter a while, a work written under
Fix this textsuch impulses looks about as fresh
Fix this textas yesterday’s newspapers.
Fix this textIts ebullient opinions rouse no more
Fix this textinterest than the headlines that once
Fix this textlooked so clamorous in their black type.
Fix this textIt has come from the top of the mind,
Fix this textthe exposed part, not from the crea-
Fix this texttive lower part that remains submerged
Fix this textlike a floating iceberg.
Fix this textYet there is a danger about pre-
Fix this textoccupation with form. It may come to
Fix this textbe an end in itself, as it did with
Fix this textGeorge Moore, whose later books seem
Fix this textlike beautiful carvings in butter. Leon-
Fix this textard Mann escapes this, and I think will
Fix this textalways escape it, because oi his deep
Fix this textinterest in men and women how
Fix this textthey live, what is in their minds.
Fix this textYou feel he knows this ‘Mountain
Fix this textFlat’ down to the last patch of brack-
Fix this texten on one of the outlying farms, so
Fix this textthat before the book is finished you
Fix this textcome to know it, too; know the teacher
Fix this textand the township lawyer, know the
Fix this textSieglers, the Ainsleys and the Coburns;
Fix this textall the scattered families that are faint-
Fix this textly connected with one another to
Fix this textsome extent through the old Garibald-
Fix this textian, Negrelli, who had come to the
Fix this textFlat in the very early days.
Fix this textIn its way, the book is a study in
Fix this textintermarriage, in racial admixture,
Fix this textin the making of the Australian type.
Fix this textVanni Coburn, perhaps the most in-
Fix this textteresting figure in it, is a grandson
Fix this textof the old Garibaldian; so is Bob Gal-
Fix this textton, with whom he comes into tragic
Fix this textconflict over the girl, Laura.
Fix this textBut it is more a study of the peas-
Fix this textant instinct, how it persists even in
Fix this texta new country, making older people,
Fix this textlike George Coburn, cling to the soil,
Fix this textmaking them try to add other men’s
Fix this textacres to their own, through craft or
Fix this textmarriage. Coburn’s land-hunger is a
Fix this textdominating passion, leading him to sac-
Fix this textrifice the deeper interests of his fam-
Fix this textily and himself, till his primitive greed
Fix this textis burnt out of him by disaster, and
Fix this textthe warm-blooded human being re-
Fix this textstored. But how to preserve that neces-
Fix this textsary love of the soil without the grasp-
Fix this texting narrowness that goes with it!
Fix this textIn “Mountain Flat” Leonard Mann
Fix this texthas shown that, at last, he has forged
Fix this texta style for himself. It is simple, rhyth-
Fix this textmic, straightforward as that of the
Fix this textnew American writers, yet not merely
Fix this textcapable of expressing physical reac-
Fix this texttions of toughs.
Fix this text(Continued on Page 17).
Fix this textMAGNIFICENT OFFER TO BOHEMIANS. SEE PAGE 9.
Fix this textIt's easy and takes two shakes of a lamb's tail!
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http://nla.gov.au/nla.obj-3084633414
Bread and Cheese Club (Melbourne, Vic.). (1939). Bohemia : the all-Australian literary magazine Retrieved May 19, 2025, from http://nla.gov.au/nla.obj-3084633414
Bread and Cheese Club (Melbourne, Vic.). Bohemia : the all-Australian literary magazine Melbourne: Bohemia, 1939. Web. 19 May 2025 <http://nla.gov.au/nla.obj-3084633414>
Bread and Cheese Club (Melbourne, Vic.). 1939, Bohemia : the all-Australian literary magazine Bohemia, Melbourne viewed 19 May 2025 http://nla.gov.au/nla.obj-3084633414
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| author1=Bread and Cheese Club (Melbourne, Vic.).
| title=Bohemia : the all-Australian literary magazine.
| year=1939
| section=v. ; 28-36 cm.
| issue=Seventh Issue (October 1939)
| location=Melbourne
| publisher=Bohemia
| url=http://nla.gov.au/nla.obj-3084633414
| id=nla.obj-3084633414
| access-date=19 May 2025
| via=Trove
}}
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