Fix this text
EVERYONES
Fix this textWITH WHICH IS INCORPORATED AUSTRALIAN VARIETY AND SHOW WORLD.
Fix this text(Registered st the General Post Office, Sydney, tor Transmission b y Post as a Newspaper.)
Fix this textV©L 4 No. 233
Fix this textSYDNEY, AUGUST 20 1924
Fix this textPrice SIXPENCE
Fix this textHOY i'S DE LUXE George St. Sydneys Leading Cinema Home
Fix this textVkz Brains lo&kind
Fix this textFIRST WIONALPME
Fix this textWeek by week. First National will, in this
Fix this textyou more of the thousand and one reasons tha
Fix this textment-
Fix this text‘First National First.’
Fix this textBelieving that the box-office ‘‘pull” of t
Fix this textfuture will rest more on the director-producer’s name than on
Fix this textthe stars for the best stars badly directed, court failure
Fix this textwe will first deal with the big director-producer names associated
Fix this textwith First National.
Fix this textEvery name is a reason for First National’s Leadership to-day.
Fix this textProducers’ Series
Fix this textFRANK LLOYD
Fix this textFew men have to their credit as many money making motion pictures as Frank Lloyd
Fix this textand yet perhaps up to a year or two ago you did not know him. Lloyd has made over 55 produc-
Fix this texttions, yet until comparatively recently his name has not shone in the electrics. Why? Not
Fix this textbecause he hadn’t deserved it. certainly. A man with pictures like “Madame X.” -‘The Eternal
Fix this textFlame” (Norma Talmadge), “Oliver Twist” (Coogan), and dozens more* to his credit deserved it all
Fix this textright. It’s simply this: In days gone by, il a director did not head his own producing concern,
Fix this textno matter what his genius, he got little publicity. The* star grabbed it all. But to-day the producer-
Fix this textdirector is coining into liis own. The exhibitor and his public realise that the* success of a
Fix this textpicture* depends very largely on the* director. And thus the* (lire*etor is just beginning to receive
Fix this texthis right.
Fix this textTo-day the name of Frank Lloyd stands second to none in America because America
Fix this texthas seen his life’s achievement, the* picture on which First National staked everything and gave
Fix this textto Lloyd to direct “The Sea Hawk.” An American newspaper said “For ‘The Sea Hawk’
Fix this textale>ne Frank Lloyd stands seconel to none in the industry.”
Fix this textThat cpiite* apart from “Within the Law,” “Black Oxen,” “Ashes of Vengeance.”
Fix this text\N
Fix this texty
Fix this textA
Fix this text*
Fix this textPM
Fix this textFrank Lloyd is now making his own productions for release through First National.
Fix this textSoon Australia will see and judge “The Sea Hawk.'’ We know what Australia's verdict
Fix this textf will be now!
Fix this textNot mere names, hut men who create great things, baek of it make and keep
Fix this text| 3-ir.A-t Hational cKr-ot,
Fix this text!roQrT~~~ntfflnni jnmanr mnnni itmnni inr.rM ——
Fix this textr
Fix this textaovits
Fix this textsOMcrnOTocrzi
Fix this textJflOQOl
Fix this textIt's easy and takes two shakes of a lamb's tail!
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(1920). Everyones Retrieved July 23, 2025, from http://nla.gov.au/nla.obj-566406093
Everyones Sydney: Everyones Ltd, 1920. Web. 23 July 2025 <http://nla.gov.au/nla.obj-566406093>
1920, Everyones Everyones Ltd, Sydney viewed 23 July 2025 http://nla.gov.au/nla.obj-566406093
{{Citation
|
| title=Everyones.
| year=1920
| section=v. : ill. ; 32 cm.
| issue=Vol.4 No.233 (20 August 1924)
| location=Sydney
| publisher=Everyones Ltd
| url=http://nla.gov.au/nla.obj-566406093
| id=nla.obj-566406093
| access-date=23 July 2025
| via=Trove
}}
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