We’d love to get your feedback on Trove. The survey will take about 5 minutes. At end of this survey, you have the option of entering a monthly draw for the chance to win a $50 gift card...Start the survey

Realtime

Call Number
Nef 790.20994 REA
Created/Published
Rushcutters Bay, N.S.W. : Open City Inc., c1994-2015
Issue
Issue 25 (Jun-Jul 1998)
Images
48
View Catalogue

Contents

Real Time 1
No title 2
Artists defending Wik 3
Advertising 3
We are not useless 4 , 5
Advertising 5
Looking after your BUNjE 6
Tenacity, celebration and reconciliation 6
Taking up the fight 7
Advertising 7
Race and the construction of a nation 8
Change and balance 8
Sea Change or short change? 9
Raising the bar 9
Advertising 9
Key player 10
Archiving the digital 11
Digitalising opera 11
New media performs 12
Advertising 12
Vertical hold 13
I @ Here. You @ There 14
Looking for the golden needle 14
Surprising even the body that makes it 15
No title 15
Advertising 15
Changing partners 16
Longing, loneliness, late night radio 16
Advertising 17
write sites 18
Advertising 18
On Screen film, media and techno-arts Feature review The way home 19
Interview Diverse faces of Aboriginality 20
Report Ethical narrating 20
Advertising 20 , 21
Corridors of creativity 22 , 23
Advertising 23
Obituary Fin de 21 .C 24
Advertising 24
Book review The future business 25
Advertising 25
Essay Going Dutch 26
Reviews 26
You're living all over me 27
Advertising 27
The video art beyond 28
Newsreel 28
Digital subjectivity 29
Advertising 29
Digital rice 30
The peculiar things we do with technology 30
Column Cinesonic 31
Advertising 31
Real alchemy 32
Parables of visibility 32
Working place 33
Advertising 33
Performance worries in Blair’s nursery 34
Advertising 34
How the fringe circumscribes the centre 35
Advertising 35
No title 35
A mixed plate 36
In the beginning... 36
Requiem for the working class 37
Advertising 37
King for a day 38
On the wings of words 38
Advertising 38
Big talk in small rooms 39
No title 39
Advertising 39
Filling in the spaces 40
Advertising 40
What to do with the winnings? 41
Advertising 41
Site specific adventure or exhumation? 42
No title 42
Advertising 42
The meaning of space 43
Advertising 43
No title 43
Two times two is... 44
No title 44
No title 44
Cliff-diving cows cause concern 44
The tension between building and architecture 45
The shudder of a caress 45
A gallery gets worn in 45
Mazed and amazed 46
Advertising 46
Note management 47
Advertising 47 , 48
The limits of the sociology of pop 48
Sport TEE OFF with Vivienne Inch 48
TOOTH AND CLAW with Jack Rufus 48

Text

Real Time  

free  

ai  

'■Jk jS|%\ Mi _/f -1  

DEBRA DAWES, Unfinished Business, 1998, acrylic on canvas, 202.5 367.5cm  

Indigenous culture  

New media arts  

Hypertexts Wilson and Glass  

Richard Flannagan Goodbye 21.  

Elmore Leonard The Bridge  

London’s ICA Artist run spaces  

Synergy Seymour Group  

Sea Change or short change?  

arts brnnonthly  

Cite

Citation options:
Work identifier

http://nla.gov.au/nla.obj-765690034

APA citation

(1994). Realtime Retrieved March 14, 2025, from http://nla.gov.au/nla.obj-765690034

MLA citation

Realtime Rushcutters Bay, N.S.W: Open City Inc, 1994. Web. 14 March 2025 <http://nla.gov.au/nla.obj-765690034>

Harvard/Australian citation

1994, Realtime Open City Inc, Rushcutters Bay, N.S.W viewed 14 March 2025 http://nla.gov.au/nla.obj-765690034

Wikipedia citation

{{Citation
  |
  | title=Realtime.
  | year=1994
  | section=v. : ill. ; 43 cm.
  | issn=1321-4799
  | issue=Issue 25 (Jun-Jul 1998)
  | location=Rushcutters Bay, N.S.W
  | publisher=Open City Inc
  | url=http://nla.gov.au/nla.obj-765690034
  | id=nla.obj-765690034
  | access-date=14 March 2025
  | via=Trove
}}

Citations are automatically generated and may require some modification to conform to exact standards.

Download

Select the images you want to download, or the whole document.

Available formats
TIF high resolution
Include
All
Current

Or select a range of images:

Selected: 1 - 48 (48 Images)

Order

You can order a copy of this work from Copies Direct.

Copies Direct supplies reproductions of collection material for a fee. This service is offered by the National Library of Australia

Include

Or select a range of images:

1 - 48 (48 Images)

Share

Share on Twitter

Share on Facebook

What can I do with this?

Copyright varies by issue and article

Reason for copyright status
Serials have an open range of dates.

Copyright varies with each issue and article. You may have full rights to copy, or may be able to copy only under some circumstances, for example a portion for research or study. Order a copy where circumstances allow or Contact us for further information.

Copyright status was determined using the following information:

Material type
Literary, dramatic or musical work

Copyright status may not be correct if data in the record is incomplete or inaccurate. Other access conditions may also apply.

For more information please see: Copyright in library collections.

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Article
Share Close

Copy and paste one of these options to share this book elsewhere.

NOTE: We've tested EMBED on blogspot.com blogs as well as self-hosted Wordpress blogs. This feature will NOT work on wordpress.com blogs.

About this book Close