Realtime

Call Number
Nef 790.20994 REA
Created/Published
Rushcutters Bay, N.S.W. : Open City Inc., c1994-2015
Issue
Issue 14 (Aug-Sep 1996)
Images
44
View Catalogue

Contents

RealTime Performance and the national arts 1
ATTEMPTED MURDER Government takes razor to the arts 1 , 2
The Yang family at the Cutting Edge 3
Advertising 3
Rare space, other space 4
Advertising 4
New contortions: Utrecht 5
Advertising 5
Queer package tour 6
Playing away 6
Advertising 6
Dancing in the dark 7
Advertising 7
Liminal spaces of becoming 8
Advertising 8
Everything and nothing 9
Advertising 9
As obvious and forgettable as gravity 10
No title 10
Watching the aliens 11
Advertising 11
Thinking through performance 12
Advertising 12 , 13
Performance acts, performance studies 14
Advertising 14 , 15
Arts education as performance 15
A projected education 16
Advertising 16
Onscreen Feature Slash and burn 17
Comment Last picture show? 18
Advertising 18
Preview ANAT and onward 19
Report In nerd paradise 19
Gender, nationalism and reversion 20
Advertising 20
Review Fictions and myths 21
Renaissance, again? 22
Ear/Shot: Listening to Films 22
floating life 22
Essay The rigours of realism 23
Advertising 23
Solitude and the immanence of things 24
Advertising 24
Interview Tardis variations 25
Advertising 25
Squatting, scanning, jamming 26
Advertising 26
Less cliches for the millennium 27
Advertising 27
The Corman agenda 27
Review 28
Newsreel 28
Canberra by a nose 29
Meeting the man (behind the scenes) 30
Advertising 30
Integration and excess 31
Advertising 31
Spectacle, ducks and misses 32
Writing up an act 32 , 33 , 43
An unmapped festival 34
Advertising 34
Strange attractors: shared perversity 35
Advertising 35
No title 35
In the Star Court 36
Advertising 36 , 37
Between representation and the real 37
Home, tongue and handrediscovered in translation 37
Advertising 38
Sounds unfettered and free 38
Advertising 38
Making talk space 39
No title 39
Advertising 39
On the site of an old story—a lament 40
Advertising 40 , 41
Cross cultural conferenceville 41
Venue hungry Hobart 42
The winning printout 42
Advertising 42 , 43
Shorts 44 , 43
Sport TEE OFF with Vivienne Inch 44
TOOTH AND CLAW with Jack Rufus 44
Advertising 44

Text

RealTime  

Performance and the national arts  

August-September 1996  

OnScreen  

free  

JL_ JL Vb*' for now  

http://sysx.apana.org.au/realtime  

 

ATTEMPTED MURDER  

Government takes razor to the arts  

ABC CUT?  

ATSIC CUT?  

Academia CUT?  

ABC Orchestras CUT?  

Australia Council CUT?  

Australian National Library CUT?  

The razor gang are coming to cut you up. government  

is preparing to avenge itself on the culture that kept it out of  

office —until it lied its way in with Hands off the Australia  

Council, Hands off the ABC. We knew the sudden election  

campaign turnabout on the arts was political pragmatism.  

Once again, ever again and again, Australian artists have to  

defend themselves and our culture against the knife, to fight  

for the achievements of the last 20 years to be honoured and  

new work sustained and escalated.  

In every projected cut, artists are the losers. Cuts to the  

ABC result in loss of work for composers, sound artists,  

playwrights, poets, filmmakers, performers, musicians  

and directors. Cuts to SBS, to be assumed as inevitable,  

would set innovative, cross-cultural Australian  

broadcasting back 20 years. Cuts to ATSIC mean  

inevitable cuts to indigenous art as funds for social  

welfare must take priority. Cuts to universities mean cuts  

to already meagrely funded humanities departments —  

increasingly focusing on professional arts training to  

make themselves relevant and economically viable. Cuts  

to ABC orchestras mean loss of work for generations of  

musicians. Cuts to an already lean Australia Council,  

already victim to successive, suspicious Liberal and  

Labour Governments, must mean weakened  

administration and diminished funds to artists. Cuts to  

the National Library, already initiated but now increased  

by projected cuts, mean, as writers argue in OnScreen in  

this issue, the end of acquisition of new films, the end of  

the trusteeship of film culture and the diminution of the  

quality of film education in universities.  

The response has been swift, angry and organised. Some  

• continued next page  

Cite

Citation options:
Work identifier

http://nla.gov.au/nla.obj-766698137

APA citation

(1994). Realtime Retrieved April 19, 2025, from http://nla.gov.au/nla.obj-766698137

MLA citation

Realtime Rushcutters Bay, N.S.W: Open City Inc, 1994. Web. 19 April 2025 <http://nla.gov.au/nla.obj-766698137>

Harvard/Australian citation

1994, Realtime Open City Inc, Rushcutters Bay, N.S.W viewed 19 April 2025 http://nla.gov.au/nla.obj-766698137

Wikipedia citation

{{Citation
  |
  | title=Realtime.
  | year=1994
  | section=v. : ill. ; 43 cm.
  | issn=1321-4799
  | issue=Issue 14 (Aug-Sep 1996)
  | location=Rushcutters Bay, N.S.W
  | publisher=Open City Inc
  | url=http://nla.gov.au/nla.obj-766698137
  | id=nla.obj-766698137
  | access-date=19 April 2025
  | via=Trove
}}

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